I stumbled upon a great exhibition named “Sense of the City”, made by the CCA in 2005. The exhibition is related to a book that I presented in a previous post. The book with the same name “Sense of the city” was presented as a350-page catalogue for the exhibition.
Sense of the City explores urban phenomena and perceptions of the city which have traditionally been ignored, repressed, or maligned. Challenging the dominance of the visual in the urban environment, the exhibition proposes a re-thinking of latent qualities of the city, offering complex analyses of the comforts, communication systems, and sensory dimensions of urban life—thus advancing a new spectrum of experience and engagement.
The communicative and symbolic character of the contemporary city has until now resided primarily in visual phenomena. Smell has been systematically erased from the urban domain in the name of hygiene, the outcome of a process which had begun by the 14th century. A barrage of electronic sounds and ambient noise today pervades the social space once reserved largely for verbal communication, driving pedestrians and motorists to retreat into controlled personal soundscapes. Tactility is largely unexplored as a means of navigating and understanding the city, while continuous efforts are made to neutralize or conquer variations in temperature. Sense of the City explores overlooked modes of perception, offering a complex analysis of urban phenomena and proposing a new sensorial approach to urbanism.
Sense of the City is presented in five interrelated sections focusing on fundamental sensory conditions and technological interventions in the urban environment: nocturnal city, seasonal city, sound of the city, surface of the city, and air of the city. The materials exhibited include drawings, photographs, artefacts, maps, printed ephemera, models, installations, videotapes, projections, recorded sounds, and odours.
More info on the site below: